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Every now and then along comes a record that is just so beautiful….so heartstoppingly gorgeous…that you can almost feel the endorphins being released and a veil of bliss and contentment being drawn over the despair and despondency of the modern world. Well, this album is one of those. Chvad SB is a prodigious artist having produced some […] Stately with its epic sprawl, Chvad SB’s “Structure” feels utterly mesmerizing. Featuring a mixture of ambient, drone, with a nod to a spaghetti western twang, the whole thing simply consumes the listener whole. Physicality dominates the two extended pieces as they explore true dream worlds. Texturally rich, Chvad SB ensures that every single element positively […] Apparently this is Chvad SB’s 80th release in about 27 years, which with some artists might imply that they’re knocking them out without much thought. And on the surface, the bold simplicity of the layered drones, strung-out notes and heavily processed guitar noodling in the two 22-minute pieces that make up “Structure” could imply that […] Embracing the space and the subtle, Chvad SB’s “Outside the Shadow of an Aliquot Tree” goes for subdued structures. Attention to detail serves the collection well for the pieces teem with life. Over the duration of the collection Chvad SB has an experimental bent to their work while retaining an emotional core. Texture is of […] An album cover displaying a drawing of a little pooch looking lost and worried in a post-nuclear landscape (by cartoonist Richard Sala) sets you up for a bad time from the get-go. And Crickets Were the Compass does indeed open by howling like an air raid siren, with lone guitar notes seeking somewhere to flee. […] The new Chvad SB E.P. Outside the Shadow of an Aliquot Tree is now available on Silber Records! As a part of Silber’s 5 in 5 series… this E.P. is 5 songs in 5 minutes and it’s only $1.00 or free to stream! In contrast to 2014’s Cricket’s Were the Compass’ synthesizer dominated landscapes, Outside […] The cover art of Crickets Were The Compass depicts beautifully in ink and watercolour a grainy, post-apocalyptic landscape strewn with grim, colourless debris. A solitary dog stands in the foreground, dolefully glancing about; after an unspecified disaster, life has inevitably found a way. As much is reinforced by brief elaborations upon each of the tracks’ […] Chvad SB knows what it means to be harsh. On Crickets Were The Compass Chvad SB makes sure to keep things distorted. Everything filters through a similar sound of slow collapse like at any moment true hell could be potentially unleashed. Thanks to Chvad SB’s idea of restraint this never quite happens. Instead the pieces […] En seis canciones Chvad SB establece un tono de mal humor lleno de vibraciones misteriosas que en su mayoría son inquietantes y a veces, melódicas. Los paisajes sonoros cuentan una historia. Sobre todo un sutil zumbido establece el tono, mientras que los sonidos posteriores parecen como el de las películas de terror. Creando una corriente […] Musiker und Label schätzen sich. Keine Selbstverständlichkeit. Das Menschliche, so der Info-Text weiter, stehe in seiner Musik genauso im Vordergrund wie das Akustische. Und dann: Die Veröffentlichung beinhalte ein Testament des Verlusts und beschäftige sich mit lieb gewonnenen Erinnerungen und wie diese loszulassen seien. Ich verstehe nicht, warum ein Mensch das als handelnde […] “Uses for Insects and Magnetic Fields”Silber Media, 2014Review by Kent Manthie Out now, on the Silber Media label, run by Brian Silber, Chvad SB’s newest disc is Crickets Were the Compass, the third album he’s put out under his own moniker, as opposed to the various projects with which he’s been involved since back in […] ENG: I’m constantly moved by the cover for “Crickets Were The Compass”. A cartoon of a dog staring wistfully into the distance, waiting for his master, who’ll probably never come – there is something both touching and depressing in this picture. The background is kept in gray tones presenting an apocalyptic scenery, and this poor […] Genre/Influences: Dark-ambient, apocalyptic soundscape. Content: If Chvad SB doesn’t directly ring a bell; some bands this American artist has been involved in have become quite renowned and established bands. Controlled Bleeding even belongs to the so-called pioneers and references in industrial/experimental music, but Chvad SB got also involved in The Qualia (signed on WTII Records), […] Ils l’ont fait, oui Charles toi qui frappait du poing contre le sable face à une statue de la liberté enfoncée dans le sable, la mer commençant son long office de destruction par l’érosion. La bombe a donné à l’homme ce qu’il voulait, un souffle nouveau, sauf que le souffle a le bruit sourd d’un […] Verwijmeren debuteert (www.softcorridor.net) met een plaat die nauw verwant klinkt met zijn familienaam. Levend en ademend in Delft en afgestudeerd fysicus reist hij reeds jarenlang met het openbaar vervoer, meestal voor lange afstanden en dus voor een langere tijdsduur. Dan kijkt een mens door het raam en gaat aan het nadenken, aan het mijmeren en […] Up to this point in time Chvad SB is probably best known as a former member of the bands Things Outside The Skin, Tongue Muzzle, The Qualia, and Controlled Bleeding (he also runs the record label Facility). Crickets Were The Compass is the third album released under his own name. Chvad has had ties to […] Holy living God, this is probably the worst album cover we’ve ever seen. So bad, in fact, it’s the sole reason this album didn’t get a perfect score. Now, hey, hey now, wait up, we love the music, but it deserved something better! Something with this much value musically needs a proper visual representation. In […] Het hoesje van dit album toont een tekening van een troosteloos landschap met kapotte huizen, dode bomen en een hoop afval en op de voorgrond een eenzaam en wat triest kijkende hondje. Het heeft iets lieflijk en onheilspellend tegelijk. De muziek klinkt vooral onheilspellend en desolaat en even post-apocalyptisch als het landschap op de hoes. […] Though new to me, Chvad SB has been in action for over 20 years as a recording artist, scoring films, and a member of Controlled Bleeding. Chvad SB has a flair for bringing together experimental and pleasantly accessible sound elements to create hauntingly minimal yet strangely melodic, image inducing soundtracks for the mind. The opening […] Početak karijere ovog bruklinškog muzičara seže u 1991. godinu, a prema pres materijalima bio je osnivač experimentalnih i industrial bendova kao što su THINGS OUTSIDE THE SKIN (Facility Records) and Tongue Muzzle (Facility Records) i član bendova Controlled Bleeding i The Qualia (WTII Records). Također, osnivač je i Facility Recordsa. Kad nije sudjelovao u gomili […] Bei Chvad SB geht es experimentell zur Sache, wenn er auf seinem neuen Album „Crickets Were The Compass“ mit modularen Synthesizern, gefundenen Objekten, selbstgebauten Instrumenten und ein wenig Gitarre neue Sounds kreiert, die insgesamt einen Ambient-Drone-Cocktail ergeben, der nicht gerade gefällig wegzuschlürfen ist. Die teils improvisierten Stücke entziehen sich jeglicher Songstruktur. Oszillierende Klangteppiche und sich […] |
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